Guides

Author: <span>admin</span>

Practical guides for getting cinematic color out of any camera — phone, drone or pro body.

Editor working on a colour graded timeline at a desk lit by the screen

How to Install LUTs in Final Cut Pro

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Filmmaker in a forest with a monitor showing flat grey log footage against warm daylight

Why Shoot in Log (And When You Really Should Not)

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Drone pilot reviewing flat D-Log aerial footage on the controller

DJI D-Log to Rec.709: Free Conversion LUT for Drone Footage

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Camera operator filming an interview in C-Log3 on a Canon body

Canon C-Log3 to Rec.709: Free Conversion LUT and How to Grade It

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Filmmaker shooting S-Log3 on a Sony cinema camera at golden hour

Sony S-Log3 to Rec.709: Free Conversion LUT and How to Grade It

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Colourist comparing flat log footage with the graded Rec.709 result

What Is a Log to Rec.709 Conversion LUT (And Why You Need One)

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Filming a forest path in morning light with an iPhone held in landscape, recording in Apple Log

Free Apple Log to Rec.709 Conversion LUTs (iPhone 15 Pro & 16 Pro)

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Filmmaker shooting Apple Log video on an iPhone on a handheld rig on a city street at dusk

How to Color iPhone Log Footage (Free Apple Log 2 to Rec.709 LUT)

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Moody colour-graded mountain landscape at dusk

Free LUTs: Where to Find Them and Which Ones Are Worth Downloading

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Cinematic wedding film still graded at golden hour

Color Grading for Wedding Filmmakers: A Practical Guide

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